Pentiment

Pentiment is a 25-year-long narrative RPG set in 16th-century Bavaria. It follows an artist trying to get to the bottom of the murder of which his best friend has been accused. Made for Windows and Xbox, Pentiment is a chance for gamers to explore an intriguing, crime-riddled medieval landscape - and our chance to foment enthusiasm for the music we love.

In talking about the historical accuracy of Pentiment, director Josh Sawyer explained, “We put a lot of effort into making this as historically accurate as we can without sacrificing the story...you might hear some familiar tunes, but all the music [Alkemie ] has created has been really really cool.”

Alkemie curated, composed, and arranged almost all of the music for the three-act adventure over the course of 3 years — the music of Hildegard, Isaac, Josquin, Machaut, and others suffuses a web of scandals and murders in the hallowed halls of Kiersau Abbey and the sleepy town of Tassing.

The album art is by Benjamin Vierling, 20 months to complete using the Renaissance-inspired egg tempera and oil, Mische Technique. Like the music, the portrait is full of myraid of correlations to the game, including a landscape showing the monastery in the bavarian Alps, and an actual pentimento of the Mithraic tauroctonym, which exists under the architectural motif showing the winged bull of St. Luke.

“Forget the blood-soaked fury of God of War: Ragnarök, or the mysterious world of Elden Ring. Pentiment is the most engrossing video game from a major studio in 2022...In terms of sound design, Pentiment also hits all the right notes. The score, created by the medieval music ensemble Alkemie, is used sparingly, but when choir music or a haunting violin piece suddenly hits during a dramatic moment, it truly elevates the experience to a height normally reserved for angels and aircrafts.”
— — Jakob Hansen for Game Reactor

Reviews for the music have been overwhelmingly positive, with the biggest complaint being that there wasn't more! 

- "When [the soundtrack] does kick in during various moments like a nun singing in church, or a jaunty tune accompanying a harrowing chase it is damned good. Featuring a mix of classics performed specifically for the game and new tunes it matches the setting well." 

- Jesse 'Doncabesa' Norris, Xboxera

 - "Forget the blood-soaked fury of 'God of War: Ragnarök', or the mysterious world of 'Elden Ring.' 'Pentiment' is the most engrossing video game from a major studio in 2022...The score, created by the medieval music ensemble Alkemie, is used sparingly, but when choir music or a haunting violin piece suddenly hits during a dramatic moment, it truly elevates the experience to a height normally reserved for angels and aircrafts."

- Jakob Hansen, Gamereactor

PERFORMER CREDITS

Tracy Cowart: Voice, Harp, Sounds [Wine Glasses], Percussion
Loren Ludwig: Viol
Ben Matus: Voice, Bagpipes [Hümmelchen], Dulcian, Lute, Percussion
David McCormick: Vielle
Charles Mueller: Lyre, Percussion [Auxiliary]
Elena Mullins: Voice, Percussion
Sian Ricketts: Recorder, Dulcian [Douçaines], Shawm, Percussion [Auxiliary]
Karl Ronneburg: Percussion
Niccolo Seligmann: Vielle, Viola [A Chiavi], Viol, Kantele, Lyre, Percussion
Corey Shotwell: Voice
Spiff Wiegand: Percussion

TRACK LIST with ADAPTATIONS & INTERPRETATIONS

A2: Title Sequence “Da fraig amors” by Oswald von Wolkenstein (c. 1377-1445)
A3: City Of Reason “Ich stund an einem morgen/Fortuna desperata” by Ludwig Senfl (c. 1486-1543)
A4: Rüdeger's Rehearsal “Victimae pascali laudes” (attributed to Wipo of Burgundy, c. 11th century)
A5: Piero's Pride “Fortuna desperata” by Antoine Busnoys (c. 1430-1492)
A6: Sister Amalie's First Vision “Quia ergo femina” by Hildegard von Bingen (c. 1098-1179)
A7: The Body by Niccolo Seligmann
A8: Flight From The Library “Tels rit au main” by Guillaume de Machant (c. 1300-1377)
A9: Andreas' Farewell “Fortuna desperata” (Anonymous, 1501)
A10: The Parting by Tracy Cowart
A11: Andreas' Return “Fortuna desperata” (Anonymous, 1501)
B12: Otto Addresses The Town “Fortuna, Bruder Conrat” by Heinrich Isaac (c.1450-1517)
B13: Sister Amalie's Second Vision “Quia ergo femina” by Hildegard von Bingen (c. 1098-1179)
B14: Otto At The Bonfire “Fortuna, Bruder Conrat” by Heinrich Isaac (c.1450-1517)
B15: City Of Melancholy “Ich stund an einem morgen/Fortuna desperata” by Ludwig Senfl (c. 1486-1543)
B16: Melencolia Enthroned “Ich stund an einem morgen” melody
B17: St. John's Eve “Karitas” by Hildegard von Bingen (c. 1098-1179)
B18: The Second Body, Niccolo Seligmann
B19: The Mob Pursues The Abbot “Saltarello” (Anonymous, c. 15th century)
B20: A Deer's End “Pavane 'Mille regretz'” by Tielman Susato (c. 1510-1570)
C21: Rüdeger's Comfort “Petruslied” (Anonymous, c. 10th century)
C22: The Duke's Herald “L'homme armé” melody
C23: The Duke's Forces “L'homme armé” melody
C24: Esther Arrives by Ben Matus
C25: A Miller's End “Herz, prich” by Oswald von Wolkenstein (c. 1377-1445)
C26: Vis Major “La Déploration sur la Mort de Jean Ockeghem” by Josquin des Prez (c. 1450-1521)
C27: Pagan Pottery by Niccolo Seligmann
C28: The Mithraeum by Niccolo Seligmann
C29: A Shadowy Figure by Niccolo Seligmann, Tracy Cowart
D30: Sic Arsit Historia Kiersis “Ellend du hast” (Anonymous, c. 16th century)
D31: Song For Christmas Feast “In dulci jubilo” (Anonymous, c. 16th century)
D32: Out Of The Shadows “Fortuna desperata” by Josquin des Prez (c. 1450-1521)
D33: City Of Madness “Ich stund an einem morgen” melody
D34: Carcer Mentis “Fortuna desperata” melody
D35: Manu Propria “Quia ergo femina” by Hildegard von Bingen (c. 1098-1179)
D36: The Thread-Puller “Quis dabit capiti meo aquam?” by Heinrich Isaac (c.1450-1517)

Produced by Tracy Cowart, Ben Matus, Loren Ludwig, Charles Mueller, Sian Ricketts and Niccolo Seligmann.
Engineered by Charles Mueller.
Recorded Tiny Panther Recording, Mount Vernon NY, July 2022.
Cover art – Benjamin A. Vierling.

Mastered at – GZ Media – 262590E
Pressed by – Memphis Record Pressing – MRP4715
Phonographic Copyright ℗ – Obsidian Entertainment
Copyright © – Obsidian Entertainment